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I bought this album when it was released in 1971. It's still one of his best, and my favorite, displaying his unique lyrical style using upper harmonic tensions via broken chord and block chord instrumental form, and richly textured bass lines during solo preludes. Interestingly, Bill uses the Rhodes electric piano as though it's an additional instrument in the band, so it's really a quartet, not a trio! Twenty years after his death, pianists still wrestle with understanding his musical conception and approach, including me. This album represents that conception more clearly than any other, and should be studied by all serious jazz pianists. Other than that, it's one of the most enjoyable to listen to. The recording engineering is exquisite, unlike many of his other albums, (sigh), and his playing is spot on.